Elvis Presley died in 1977, but the iconic picture of him acting, as the undisputed king of roll and roll into his jumpsuit stage costume, stays instantly recognizable all these years afterwards, not only in America but also all over the world.
Maybe the myth that Elvis still lives on has some truth in it, because his most impersonators are often to be seen still doing their Elvis tribute shows in most towns of the planet these days. Almost always, they opt to put on a duplicate of his jumpsuit phase costume.
In reality Elvis embraced his jumpsuit manner of stage costume very late in his profession. It had been following his 1968 comeback tv concert his singing career resumed, along with his primary foundation for performing displays became Las Vegas from about 1969. He wished to differentiate his own rock and roll design from that of Frank Sinatra, Dean Martin, Sammy Davis Jr. and the other tuxedo sporting crooner-style singers who played with regularly in Las Vegas at the moment. A tuxedo wasn’t his personality, and he had a new style for his stage costume women romper.
Elvis turned into top designer Bill Belew for notions, who made a two piece costume motivated by the curiosity Elvis had from the martial arts. This notion soon evolved into a 1 piece jumpsuit in wool gabardine, with a high collar, flared legs, pointed sleeve cuffs and an extremely deep “V” neckline that partly bared Elvis’ torso.
This simple outfit stayed the signature point costume for Elvis from approximately 1969 through to his departure 1977. But, there were lots of embellishments through this moment, together with accessories and elaborate decorations included in a lot of variations.
The colour of this jumpsuits diverse. While the white variant was frequently preferred to appear the brightly colored vases to stick out on point, there were also an assortment of different colors used.
A cape was popular with Elvis for a couple of decades early on, but has been seldom seen from approximately 1974. A scarf was frequently inserted. A wide belt with a huge buckle took over in the karate design of tied belt utilized in the beginning. Rhinestones, metal figurines and other ornamental designs were used progressively, and elaborate embroidered patterns followed closely. The workmanship of Gene Douchette has been a significant influence on the numerous decorative variations on consecutive jumpsuits, drawing inspiration from several theories, which range from peacock feathers through the American eagle.
These richly decorated stage outfits were striking in appearance, and frequently cost thousands of dollars to create.